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《我有毒》剧情简介

  Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.…

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胶片显影失败

符号的锁链环环相扣,餐桌上的盐罐成为颠覆系统的微小变量。

胶片灼伤

今年,适逢我有毒番剧播出15周年,山田尚子推出了新作我有毒,在编剧吉田玲子、音乐监督牛尾宪辅的助力下,本片保证了高水准,并惊喜入围了第二十六届上海国际电影节的最佳动画片竞赛单元。

DC脱发期

台词密度惊人的话痨剧,信息量过载考验观众听力。

桴鹬

女性导演视角独特,细腻处见真章。

彩蛋便秘者

我有毒看小说的时候我以为震撼我的是卡片背后的素描,未置一词但一瞬间所有的爱意倾泻。
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