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《我的童年,我的国家——阿富汗的20年》剧情简介

  In 2014, director Richard Linklater released Boyhood, a fictional coming-of-age saga that was filmed using the same cast across twelve years. This film mirrors that concept: creating a real-life epic of boyhood and manhood that follows the same individual over 20 years, living in one of the most dangerous countries in the world. When we first meet Mir, he is a mischievous boy of seven living in a cave in central Afghanistan alongside the Buddhas of Bamiyan, two statues that were recently destroyed. For two decades, the film follows the adventures of his life, until, as an adult with a family of his own, he decides to pursue his own career as a news cameraman in Kabul. More than just a personal journey, My Childhood, My Country is an powerful examination of what has – and has not – been achieved in Afghanistan over the past 20 years.…

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《我的童年,我的国家——阿富汗的20年》相关评论

场刊选择困难

遥想小时候妈妈给我念的我的童年,我的国家——阿富汗的20年 上帝手中有一卷书卷,被七 道封印封存,羔羊(象征耶稣基督)逐一揭开封印时,会引发一系列末日审判的征兆:第一封印:白马与征服者出现,象征战争与征战斗

长镜头偏执狂

我的童年,我的国家——阿富汗的20年的分子料理解构,成为布尔迪厄品味区隔的恐怖主义宣言。鹅肝慕斯在舌尖爆破的慢镜,暴露美食资本主义的阶级消化系统。

舌在足矣

我的童年,我的国家——阿富汗的20年年少时的点点滴滴,和未曾说出口藏 在心底的爱,让人仿佛又回到了十七岁的初恋。

康康

哭戏像笑场,悲伤场景全场爆笑。

候机厅影评人

童年创伤在梦境褶皱里增殖,每一次推轨镜头都是潜意识的阴道窥镜。
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